The Likes of Us: Photography and the Farm Security Administration | 
 enlarge | Author: Stu Cohen
Creators: Peter Bacon Hales, Ben Shahn; Walker Evans; Dorothea Lange; Sheldon Dick; Marion Post Wolcott; Russell Lee
Publisher: David R Godine
Category: Book
List Price: $50.00
Buy New: $31.50
You Save: $18.50 (37%)
New (18) Used (7) from $27.38
Avg. Customer Rating:  1 reviews
Sales Rank: 106065
Media: Hardcover
Number Of Items: 1
Pages: 208
Shipping Weight (lbs): 3
Dimensions (in): 12.1 x 9.4 x 0.8
ISBN: 1567923402
Dewey Decimal Number: 779.092
EAN: 9781567923407
ASIN: 1567923402
Publication Date: October 1, 2008
Availability: Usually ships in 24 hours
|
| Similar Items:
|
| Editorial Reviews:
Product Description
Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar.
Stryker's approach to his photographers' assignments was a bracing mix of structure and improvisation. He sent his artists across the country to shoot for a few weeks, mostly in small towns and rural areas. They worked from what Stryker called shooting scripts laundry lists of possible subjects and situations but were always free to explore their own perspectives on a locale, its inhabitants, and their activities. When negatives and prints arrived, Stryker would guide his artists with suggestions, advice, and sharp-eyed criticism, all designed to elicit their best work. At this he was strikingly successful.
This book collects work from nine of these trips Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. What emerges, beyond the images themselves, is a complex and vital overview of the FSA at work, not just the work, but how the work evolved and matured under Stryker's guidance. Appropriately, the book concludes with photographs of New Orleans, the only city photographed in depth by the FSA artists.
Reproduced in duotone, the 175 photographs in The Likes of Us all printed from the original negatives at the Library of Congress offer a rare opportunity not only to see a choice selection of famous and little-known images but also to understand the working of one of the government's most original and creative pre-war initiatives.
|
| Customer Reviews:
The past becomes ever clearer November 16, 2008
2 out of 2 found this review helpful
A worthy addition to the library of FSA photos though I say that with some reservations about the book's presentation. The idea for the publication came to author Stu Cohen years ago when he slowly discovered the FSA treasures in the Library of Congress. After writing his treatise nothing happened (and he died in 1995) until the publisher of this book came across it and asked Peter Hales to edit the manuscript for publication.
Cohen's text: Photography and the Farm Security Administration, is rather short but he packs in a huge amount of fascinating analysis: social documentary photography; the photos as socio-historical evidence; as works of art and finally, as propaganda. The essay opens the book then there is an overview of FSA photos (forty-six pages) followed by ten portfolios of photos (108 pages) and lastly thirty pages of Roy Stryker's shooting scripts.
The inclusion of the shooting scripts is, for me, something that lifts the book above others in my collection. The only other publication that has a selection of scripts is a rather obscure 1968 exhibition catalog from the Newport Harbor Art Museum in Balboa, California, Just Before the War : Urban America from 1935 to 1941 as Seen By Photographers of the Farm Security Administration : From the Collections of The Library of Congress, Washington, D.C. (worth searching book sites for a good price) it is a little gem with fifty-six photos and a wealth of information about Stryker and his staff.
The core of 'The likes of us' is the selection of nine field trips by five photographers: Evans; Lee; Lange; Post Wolcott and Shahn. They are presented as portfolios with captions and some relevant text plus there is a rather unusual addition of eight photos by Sheldon Dick of a sit-in strike at Flint, Michigan in1937. I don't think I need to comment on the images in the book, `FSA photos' to me means quality storytelling, compositions, detail and humanity.
The 175 photos are printed on good paper with a 175 screen but I was rather disappointed at the very conservative (old fashioned even) design. There really is just too much white space throughout the photo pages, they could have been made larger without compromising the photo book style. The first twenty-seven pages use roman numerals and rather annoyingly at least half the pages, in the rest of the book, have no numbers making the Contents page rather redundant as none of the photographer's opening portfolios has a number. None of the short captions have a period though longer captions do.
Despite the design aspect (so four stars) the book is worth having for the chance to see some well printed less well known FSA photos and to have the opportunity to read the fascinating shooting scripts which will give you a better understanding of this magnificent photo resource.
***SEE SOME SAMPLE PAGES by clicking 'customer images' under the cover.
|
|
|
